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Friday 28 December 2012

Best of 2012

In a year without a Fall album, what could there possibly be to celebrate?

KENNEDY (TOQUIWA)
I saw Toquiwa support The Wedding Present in Camden about a month ago. I preferred them to Gedge's popular beat combo, who all look a bit too old and decrepid to still be singing about one girl. Toquiwa's album, which I bought at the gig, ends with this cover of one of the aformentioned indie miserablists masterpieces, Kennedy, which I've probably listened to every day since. Irritatingly, that was their last UK tour date, but if they return I recommend seeing them and their crazy stage antics.

Savages are more traditional post-punk, Husbands sounds like it could've been released in 1980. Which is obviously what we all want. Savages have clearly listened to Holiday In Cambodia and a bit of the Banshees. They did a set for that lickspittle Jools Holland earlier this year, on Youtube here.

This is a bit more left-field. I just stumbled across Perfect Hair Forever on the internet somewhere. Research suggests that it's one anonymous bloke in Auckland who needs to get out more. There's some more stuff from PHF on Bandcamp, but this is the best one out there.

IT'S OK JOHN-JOE (DEXYS)
The first Dexys Midnight Runners (now simply Dexys) album in nearly 30 years came out in June. There's nothing great on there, but this is good. If you ignore the bits where he's whinging and bullshitting, which admittedly comprise a fairly large section of the song, the singing is beautiful. Then there's an upbeat and unnecessary bit at the end, which is mildly catchy but irrelevant. Jesus, though, it's an improvement on the ending to this early version (from 6:20).

THE BURSTER (THE NIGHTINGALES)
I wish I knew why The Nightingales aren't celebrated in the same way as The Fall. Pigs on Purpose, released in the same year as Hex Enduction Hour, is as good as anything Mark E Smith ever did or said (except when he said this). Their latest album, No Love Lost, has no amazing stand-out tracks but works brilliantly as a whole. Starting with the line "I was as dry as a dead girl's cunt in the desert", it's not an easy listen, but by track five you're in prog-punk heaven. Buy it.

SPITFIRE (PUBLIC SERVICE BROADCASTING)
I really really love this song. This is my favourite song of the year, and with a cool video to boot. Spitfire appears on The War Room EP, and is the only reason for buying it. That bit where the guitar comes in at about 1:20 is so great. Lovely music goodness.

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